John Lai’s Analysis of a Pakistani folk dance from Sindh, played by a double-reeded instrument, featuring a cycle with consistent beginnings and endings, but flexible material in between.
Asia (3) Central America (2) Central Asia (2) China (2) East Africa (1) East Asia (3) Eastern Europe (2) Flexible Cycle Length (3) Indian Subcontinent (1) Konnakol (1) Long Cycles (2) Loose Cycling (3) Metric Cycles (3) Morphing Cyclicity (3) Nesting Cycles (2) Non-isochronous-metric Cycles (3) Non-metric Cycles (1) Ostinato (2) Pacific Islands (4) South America (2) Southeast Asia (5) South India (1) Strophic Cycles (1)