(click titles for abstracts, and see the media page for some presentation recordings)
Bernacki, Nathan. 2022. “A Beat Level Analysis of Dance Music from the Pirin-Macedonia region of Bulgaria.” Presented at the Seventh International Conference on Analytical Approaches to World Music, Sheffield, UK [and online], June 14, 2022.
Peiris, Eshantha. 2021. “Text-Music Relationships in Un-texted Music of the Sri Lankan ‘Up-Country Tradition.” Presented at the Sixth International Conference on Analytical Approaches to World Music, Paris [and online], June 9-12, 2021.
Roeder, John. 2021. “Variable-rhythm quale cycles in world music and their special properties.” Presented at the Sixth International Conference on Analytical Approaches to World Music, Paris [and online], June 9-12, 2021.
Roeder, John. 2022. “Some Traditional-Music Examples of Cycle Variation and its Grouping Effects.” Presented at the Seventh International Conference on Analytical Approaches to World Music, Sheffield, UK [and online], June 15, 2022.
Sawatzky, Grant. 2021. “Generative Meter and Multivalence in Three Slavic Folk Tunes.” Presented at the Sixth International Conference on Analytical Approaches to World Music, Paris [and online], June 9-12, 2021.
Smith, Oscar. 2021. “Konnakol Duet in a 75-pulse Tāla: Stretching Rhythmic Coordination Abilities Across Boundaries and Borders.” Presented at the 12th Annual Meeting of the Canadian Society for Traditional Music [online], Nov 27, 2021.
Smith, Oscar. 2022. “Konnakol Duet in 75-pulse tāla, A comparison of analytical representations.” Presented at the Seventh International Conference on Analytical Approaches to World Music, in Sheffield, UK/online, June 16, 2022.
Smith, Oscar. 2022. “Rhythmic complexity in intercultural music projects: A space for developing new musicianship strategies in Bali.” Paper on panel session “Sounding Out Musics in the Archipelago”. American Institute for Indonesian Studies at Michigan State University (AIFIS-MSU) 2nd Annual Conference on Indonesian Studies, held online, June 23, 2022.
Smith, Oscar. 2022. “Konnakol Duet in 75-pulse tāla, Simultaneous Streams of Cyclic Expectation.” AMS/SEM/SMT 2022 Joint Annual Meeting, New Orleans, Louisiana, Nov 11, 2022.
Smith, Oscar. 2022. “Testing music theories with ethnography: How Balinese and South-Indian musicians embody complex rhythms in new music.” Presented on the special panel session “Music Theory and Ethnomusicology: Towards Methodological Synergy” at the AMS/SEM/SMT 2022 Joint Annual Meeting, New Orleans, Louisiana, Nov 11, 2022.
Tenzer, Michael. 2021. “Sound Materiality and Rhythm Interaction in a Papuan Flute Music.” Presented at the Sixth International Conference on Analytical Approaches to World Music, Paris [and online], June 9-12, 2021.
Winikoff, Jason. 2021. “Clapper Dapper: Timbre, Synesthesia, and a Jazz Drum Solo.” Presented at the Sixth International Conference on Analytical Approaches to World Music, Paris [and online], June 9-12, 2021.
Winikoff, Jason. 2022. “Timbre, Auditory Streams, and the Chorus: A Cyclic Analysis of Max Roach.” Presented at the AMS/SEM/SMT 2022 Joint Annual Meeting, New Orleans, Louisiana, Nov 11, 2022.