Books
(click for external purchase links or view through your institution)
- Tenzer, Michael, ed. 2006. Analytical Studies in World Music. New York: Oxford University Press.
- Roeder, J., Tenzer, M., ed. 2011. Analytical and Cross-Cultural Studies in World Music. New York: Oxford University Press.
- Roeder, J., Tenzer, M. 2020. Identitas dan Genre dalam Gamelan Gong Kebyar: Studi Analisi Gabor. Trans. to Indonesian and ed. Wayan Sudirana. Bali: Art Music Today.
Roeder, J., Tenzer, M., ed. 2011. Analytical and Cross-Cultural Studies in World Music. New York: Oxford University Press.
Tenzer, Michael, ed. 2006. Analytical Studies in World Music. New York: Oxford University Press.
Roeder, J., Tenzer, M. 2020. Identitas dan Genre dalam Gamelan Gong Kebyar: Studi Analisi Gabor. Trans. to Indonesian and ed. Wayan Sudirana. Bali: Art Music Today.
Book Chapters
(click to view chapter PDFs)
Roeder, John. 2011. “Introduction.” In Analytical and Cross-Cultural Studies in World Music, edited by John Roeder and Michael Tenzer, 3-18. New York: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195384581.003.0000
Roeder, John. 2020. “Formative Processes of Durational Projection in “Free Rhythm” World Music.” In Thought and Play in Musical Rhythm, edited by R. Wolf, Blum, S., Hasty, C. New York: Oxford University Press. https://doi.org/10.1093/oso/9780190841485.003.0003
Tenzer, Michael. 2006. “Analysis, Categorization, and Theory of Musics of the World.” In Analytical Studies in World Music, edited by Michael Tenzer, 3-38. New York: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195177893.003.0001
Tenzer, Michael. 2006. “Oleg Tumulilingan: Layers of Time and Melody in Balinese Music.” In Analytical Studies in World Music, edited by Michael Tenzer. New York: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195177893.003.0007
Tenzer, Michael. 2011. “A Cross-Cultural Topology of Musical Time: Afterword to the Present Book and to Analytical Studies in World Music.” In Analytical and Cross-Cultural Studies in World Music, edited by Michael Tenzer, 415-440. New York: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195384581.003.0012
Tenzer, Michael. 2011. “Integrating Music: Personal and Global Transformations.” In Analytical and Cross-Cultural Studies in World Music, edited by Michael Tenzer, 357-387. New York: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780195384581.003.0010
Articles
(click to view article PDFs)
Roeder, John. 2011. “Fluctuant Grouping in a Silk-and-Bamboo Melody.” Analytical Approaches to World Music 1 (2). http://aawmjournal.com/articles/2011b/Roeder_AAWM_Vol_1_2.htm
Roeder, John. 2019. “Timely Negotiations: Formative Interactions in Cyclic Duets.” Analytical Approaches to World Music 7 (1). http://www.aawmjournal.com/articles/2019a/Roeder_AAWM_Vol_7_1.html
Roeder, J., Tenzer, M. 2012. “Identity and Genre in Gamelan Gong Kebyar: An Analytical Study of Gabor.” Music Theory Spectrum 34 (1): 78-122. https://doi.org/10.1525/mts.2012.34.1.78
Peiris, Eshantha. 2018. “Changing Conceptualizations of Rhythm in Sri Lankan Up-Country Percussion Music.” Analytical Approaches to World Music 6 (2). http://aawmjournal.com/articles/2018a/Peiris_AAWM_Vol_6_2.html
Tenzer, Michael. 2011. “Generalized Representations of Musical Time and Periodic Structures.” Society for Ethnomusicology 55 (3): 369-386. https://doi.org/10.5406/ethnomusicology.55.3.0369
Tenzer, Michael. 2017. “Transforming African Musical Cycles.” Music Theory Spectrum 39: 139-157. https://doi.org/10.1093/mts/mtx018
